Summer in NYC is always the sexiest time of year, so to me it made hot and sweaty sense that following on the high heels of Shakespeare in the Park's Anne Hathaway Bard vehicle “Twelfth Night,” arrived “The Bacchae,” the Euripides tragedy directed by The Public Theater's former artistic director Joanne Akalaitis with an original score by her former husband Philip Glass. It starred miscast cutie pie Jonathan Groff (“Spring Awakening,” “Hair”) as the god Dionysus who whips his Theban female worshippers — a.k.a. The Bacchae, which has a better ring to it than Dionysus-heads — into a lustful frenzy. This in turn stokes the ire of the uptight king of Thebes, Pentheus, played by the usually nuanced Anthony Mackie, who instead chose to channel the god of bellowing Al Pacino. With a setup like this it's nearly a given that things take a turn for the worst both onstage and within the Greek drama.
To read the rest visit my Sex Beat column at Carnal San Francisco.
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