Tuesday, April 18, 2017

A Conversation with Amman Abbasi (DAYVEON)

The 19th RiverRun International Film Festival (March 30-April 9) truly stepped up to the plate this year. With over two-dozen local sponsors, and a lineup that included quite a few Cannes and Sundance-premiering flicks, the residents of Winston-Salem, NC had much more to brag about than the recent (halfhearted) repeal of the state’s embarrassing bathroom bill.

One of those Sundance darlings (which opened the NEXT sidebar) was Amman Abbasi’s striking debut Dayveon. Recently acquired by FilmRise and set for an upcoming spring release, the film is a refreshingly non-sensational portrait of life in impoverished Arkansas. Abbasi, an Arkansan who also co-wrote the script and composed the score, follows the titular teen as he struggles to find his place in the world after the recent murder of his older brother, vacillating between the lure of the local Bloods and the loving embrace of his sister and her family.


To read my interview visit Hammer to Nail.

Monday, April 3, 2017

CPH:DOX 2017: The Inaugural Spring Edition

The “something for everyone” film festival is a rarity these days. While most fests like to think they’re providing a wide array for a curious cinephile to choose from, what they usually end up showcasing is a large selection of subject matter. In other words, the films themselves often look and feel very similar in style. (Indeed, I can often spot a Sundance film ten minutes in, and from a last row seat.) That makes CPH:DOX, “the third largest documentary film festival in the world,” something truly special. This was only my second time attending Copenhagen’s premiere nonfiction fest, but the combination of sincerely welcoming vibe and cozy screenings made me feel like I was part of a global doc geek family. I mean “cozy screenings” literally: this year’s sponsor, Normann Copenhagen, created Denmark’s first “pop up designer sofa cinema” inside the new festival headquarters at the Kunsthal Charlottenborg, a year-round contemporary art gallery.


To read all about it visit Filmmaker magazine.

Sunday, April 2, 2017

Thursday, March 30, 2017

Propellor Film Tech Hub Brings Business Innovation to CPH:DOX

Launched at this year’s International Film Festival Rotterdam, the Propellor Film Tech Hub is an ambitious, country-spanning, joint initiative from the IFFR, the Berlinale’s European Film Market (EFM), the Copenhagen International Documentary Festival (CPH:DOX), and the "innovation studio" Cinemathon (based in Berlin). Basically, the idea behind Propellor is to transfer start-up world ideas to the film industry, upending cinema's barely functioning, stodgy old business models in the process.

To learn more, Documentary reached out to Cinemathon's Erwin Schmidt, one of the founders, who graciously demystified this newfangled tech enterprise prior to the CPH:DOX event.


To read my interview visit Documentary Magazine.

Sunday, March 19, 2017

Power to the Priya: Ram Devineni on his Augmented Reality Comic Book Series

I first met Ram Devineni, creator of India’s first augmented reality comic book, Priya’s Shakti, at the FilmGate Interactive Media Festival in February, where he was presenting the graphic novel’s follow-up, Priya’s Mirror. (This work ended up taking the FilmGate Special Jury Award). With the series Devineni and his co-creators have revolutionized the comic book form, and not just technologically but also culturally. A survivor of gang rape in the first installment, Priya joins forces with acid attack survivors in the second, rendering the titular super-heroine tougher than your average Western badass chick.

Devineni is participating in the Art, Technology & Change discussion at this year’s CPH:DOX, and Filmmaker was able to catch up with the AR artist prior to the fest for a brief chat that ran the gamut from comic cons, to the Sistine Chapel, to creating sociopolitical art for a global audience.


To read my interview visit Filmmaker magazine.

Sunday, March 12, 2017

Following The Money Shot: Ovidie on Her SXSW Investigative Doc Pornocracy

Originally trained in philosophy, and known as the “porn star intellectual” since the publication of her book Porno Manifesto in the early aughts, feminist pornographer Ovidie can now add hard-hitting investigative journalist to her CV. The French icon’s latest documentary Pornocracy, debuting at SXSW (and later in the month at CPH:DOX), is a stunning exploration of the dark underbelly of online porn — a shadowy world in which a single faceless multinational corporation, with numerous offshore accounts, controls what we see while exploiting the performers whose very livelihood it shamelessly steals. Filmmaker spoke with Ovidie prior to the doc’s March 12th premiere.


To read my interview visit Filmmaker magazine.

Saturday, March 11, 2017

No Way Out: Brent and Craig Renaud on Their SXSW Doc, METH STORM: Arkansas USA

World premiering March 11th at SXSW is METH STORM: Arkansas USA, the latest HBO doc from the Peabody (and Edward R. Murrow and Columbia Dupont and Overseas Press Club) award-winning Renaud brothers. Unsurprisingly, the Arkansan siblings have taken a deeply humanistic approach to the meth epidemic with this film, following a soft-spoken DEA agent struggling to stem the flow of (cheap and extremely potent) Mexican cartel “ice” into his rural community. They parallel this narrative with that of a close-knit family of impoverished addicts, led by a no-nonsense matriarch who just can’t seem to catch a break.


To read my interview visit Filmmaker magazine.