“But of the many expertly crafted revelations in Jarecki’s nonfiction, slow-reveal saga of psychopathy, though, the most telling occurred not during the shocking finale in which Durst may – or may not – have been unwittingly taped confessing to his crimes. No, it’s the second to last chapter of this series about a man whose proximity to wealth and privilege has most likely led him to get away with serial murder – appropriately titled “Family Values” – that steals the show. And I’m not referring to a recently discovered letter that damningly implicates Durst in Berman’s killing in episode five, but to a seemingly innocuous exchange that happens between the filmmaker and his producer Marc Smerling. To set the scene: The pair are riding in a car, on their way to confront Robert’s brother Douglas, head of The Durst Organization, who is being honored at a dinner.”
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