Who knew Ibsen had a canine following in Holland? I thought as I stood in line at the Stadsschouwburg Amsterdam directly behind a woman carrying a small dog in her purse. I was there to see Toneelgroep Amsterdam’s performance of “Hedda Gabler,” helmed by the company’s artistic director Ivo van Hove and starring the luminous Halina Reijn, one of seven productions being presented with English surtitles on Thursday evenings. (Nevertheless, from the sound of things it seemed the tiny pooch and I were the only ones in the Stadsschouwburg unable to speak Dutch.)
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