Since I’ve never attended the Toronto International Film Festival, or the long-running doc series Stranger Than Fiction, I was shamefully late to discover the curatorial wizard behind-the-curtain by the name of Thom Powers. But ever since Powers’s programming became, for me, the highlight of this year’s Miami International Film Festival he’s been firmly on my cine-radar. So when I noticed he’d be returning as artistic director of DOC NYC I thought, “Oh, no.” I didn’t have time to cover DOC NYC right before I flew to Amsterdam to tackle the mother of all nonfiction fests IDFA! (DOC NYC’s close proximity to IDFA and also CPH:DOX is the worst thing one can say about it.) I couldn’t squeeze in its 100-plus events, panel discussions, 52 features and 40 shorts. I didn’t have the hours to spare for the opening night gala screening of “Into The Abyss” with Werner Herzog in person (nor for guests Charlotte Rampling, Jonathan Demme, Barbara Kopple, D.A. Pennebaker, etc.). I didn’t have the time, but I did have the addiction. And Thom Powers is the nonfiction world’s dealer with the best docs.
To read my coverage visit Filmmaker magazine.