I first encountered Michael Madsen’s “Into Eternity” at the International Documentary Film Festival Amsterdam this past November. What struck me most about the film – a visually and sonically stunning, existential leap into the very future of civilization via Finland’s nuclear waste storage facility Onkalo – was how little it resembled a documentary at all. Images from “Lord of the Rings” and “2001: A Space Odyssey” danced in my head as I tried to wrap my brain around the overwhelming concept of this enormous underground burial chamber that will continue to be under construction until the 22nd century, that is to be built to last for 100,000 years. Fortunately, I was able to sit down with the Danish director in the lobby of the infamous Hotel Chelsea before the flick opened at NYC’s Film Forum to discuss documentary versus fiction genres, the current cinematic climate in Denmark, and the necessity of myth in our modern-day rationalist society.
To read the interview visit Global Comment.