With Ti West's “The House of the Devil” hitting theaters, Larry Fessenden's Glass Eye Pix has become one of the most active independent production companies around.
"I've always felt like a lone wolf creatively. I've been forging this odd path of making thoughtful scary movies, more sentimental than they are gory," horror auteur Larry Fessenden told me recently when I met up with him at an appropriately dark and cavernous East Village bar. In fact, the way Fessenden tells it, the horror genre he is most associated with found him, not the other way around. From the beginning of his career Fessenden has telegraphed political, social and philosophical issues in his stories. While they may initially appear to be B movie-styled monster movies, his films invariably evolve into meditations on the role of fantasy and mythology as survival mechanisms and humanity's relationship to the Earth. Appropriately then, Fessenden seems to have more in common with foreign arthouse horror auteurs like Guillermo del Toro, a longtime supporter who is now producing Fessenden's planned Hollywood writing and directing debut (a remake of The Orphanage for New Line Cinema), than he does with the current wave of torture-porn directors like Eli Roth.
Read the rest of the article at Filmmaker magazine.