“We don't even want to go to Hollywood anymore," admits a Nigerian actress in the Canadian documentary “Nollywood Babylon,” which examines the world's third largest film industry (after the U.S. and India). "Because, really, Hollywood is white, you know," she adds with an apologetic cringe. She and her colleagues' collective goal is to make the grassroots filmmaking centered in Lagos nothing less than the "best African movie industry in the world." And in many ways, Ben Addelman and Samir Mallal's nonfiction flick, which itself moves with the go-go speed dubbed "Nollywood style," is a big fat, kiss-my-ass to imperialist Hollywood.
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