CPH:DOX 2026: Winners And Winners

This year’s edition of CPH:DOX (March 11–22) was as usual jam-packed with exciting discoveries. And unlike the Oscars, which aired the first weekend of the fest, many of the eventual doc award winners, competing in six categories, were well-deserving of those accolades. (Sorry Denmark, but I’ll choose The Perfect Neighbor or The Alabama Solution over Mr. Nobody Against Putin any day.) And three sections in particular showcased runaway stunners: the flagship DOX:AWARD, the emerging filmmakers-focused NEXT:WAVE, and the prestigious (International Federation of Film Critics-awarded) FIPRESCI.

To read the rest visit Hammer to Nail.

SXSW 2026: Unsigned Gems

When it came to the nonfiction slate, SXSW 2026 was less packed with artistry than with “content.” The golden age of documentary has now firmly given way to the not-so-golden age of streaming slop. Such a turn at SXSW shouldn’t come as a surprise since the massive event has long taken its home state’s “everything is bigger in Texas” slogan as a mission statement. Over the past decade, the cross-media festival (which bills itself as bringing music, film, tech, and comedy together) has increasingly turned toward building partnerships with an untold number of even more massive corporations that care less about “keeping Austin weird” than keeping safe, comfort-food content king. Yet despite all this, as I noted in last year’s dispatch, the Austin event remains a worthwhile festival for small discoveries, especially American-made ones.

To read the rest visit Documentary magazine.

Fungal Cinema: Otilia Portillo Padua on Profiling Two Indigenous Mycologists in her SXSW And CPH:DOX Doc ‘Daughters of the Forest’

Otilia Portillo Padua’s Daughters of the Forest is crafted with artistry that simply demands the big screen. Indeed, with a kaleidoscope of eye-popping colors, and an otherworldly sound design that feels both foreign and familiar, the film is truly mesmerizing — and more than lives up to its “immersive sci-fi documentary” hype. Set in Mexico’s magical forests (for now, as the logging industry is fast-decimating what’s left of the territory), Daughters of the Forest is guided by a pair of young female mycologists, Lis and Juli, both hailing from Indigenous communities where generational knowledge, from language to the secrets of fungi, is fast-vanishing as well. “Behind every mushroom there is a story,” as one scientist puts it, and the Mexican director is determined to follow not just the two humans on a mission to restore culture to science, but engage with the cinematically stunning fungi as well (some of which seem birthed from the Alice in Wonderland underground).

To read my interview visit Documentary magazine.