Sunday, September 19, 2021
“The Terms ‘Diversity’ and ‘Inclusion’ Inherently Center Power and Privilege….”: Elle-Máijá Tailfeathers on Her Camden International Film Festival-Debuting Doc Kímmapiiyipitssini: The Meaning of Empathy
Winner of both the Emerging Canadian Filmmaker Award and the Rogers Audience Award at this year’s Hot Docs, Kímmapiiyipitssini: The Meaning of Empathy is the latest documentary from multifaceted artist Elle-Máijá Tailfeathers (The Body Remembers When the World Broke Open, which was picked up by Ava DuVernay’s ARRAY after its 2019 Berlinale premiere and is available to stream on Netflix). A writer, director, producer and actor – she currently stars in Danis Goulet’s Night Raiders, which just debuted at TIFF – Tailfeathers is also a member of the Kainai First Nation in Alberta. It’s a community that continues to be ravaged by the opioid epidemic, much like many across Canada and here in the US. But for the people on this Blackfoot reserve, unlike the populace of non-Indigenous small towns, the addiction crisis is just the most recent scourge in a never-ending series of generational traumas.
Connecting the dots from colonization to abusive residential schools and a state-sanctioned cultural genocide would be a worthy cinematic endeavor in itself. But with Kímmapiiyipitssini: The Meaning of Empathy Tailfeathers does such and then goes much further, linking the names and faces of those on both sides of the healthcare frontline today — including the reserve’s stoic and compassionate physician Dr. Esther Tailfeathers, the director’s mother — with their ancestors whose traditional approaches to wellness in body and soul seem much more sane and civilized. The result is a soaring portrait of tragedy and resilience, yes, but also a handbook for healing that those of us in the privileged classes could learn a lesson or two from.
Filmmaker was fortunate enough to catch up with the prolific Tailfeathers soon after TIFF and just prior to her doc’s next stop at the Camden International Film Festival (September 16-26).
To read my interview visit Filmmaker magazine.
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