The 21st SCAD Savannah Film Festival (October 27 – November 3) featured a strikingly eclectic abundance of Specialty Series discussions and workshops this year. There was “In Conversation” (one with Barry Jenkins, another with Armie Hammer), a three-part Below the Line Panel Series (Casting, Costume Design and Production Design), and Animation Corner: Art in Motion. There was also the TV Sidebar (Starz’s Outlander was the focus, with creators and cast from the show in town — even a costume exhibit at the SCAD Museum of Art), and a Writers Guild of America-affiliated program (Writers on Writing:The Front Runner featured Jason Reitman). Exhibitions excitingly included one on Wes Anderson’s Isle of Dogs, with its wonderful, outsider-art-style sets.
But the one panel I got up early for was the Wonder Women Panel Series: Directors, at the airy, light-infused Gutstein Gallery. Entertainment Weekly staff writer Devan Coggan moderated a surprisingly down-to-earth discussion that featured actresses-turned-directors Heather Graham (Half Magic), Polly Draper (Stella’s Last Weekend), Hannah Marks (After Everything) and Anna Martemucci, aka A.M. Lukas (One Cambodian Family Please for My Pleasure). Also present were this year’s Sundance Film Festival Waldo Salt Screenwriting Award-winner Christina Choe (Nancy) and elder indie stateswomen Karyn Kusama (Destroyer) and Debra Granik (whose powerfully nuanced Leave No Trace unfortunately didn’t screen during the fest).
To read all about what has (and hasn't) changed in Hollywood post-Time's Up visit Filmmaker magazine.
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