Watching The Blessing, Hunter Robert Baker and Jordan Fein’s exquisite portrait of one family on the Navajo reservation in Arizona, during the Santa Fe Independent Film Festival this month marked one of the rare times I’ve seen a doc that could have used a longer (theatrical) cut. So wrapped up was I in the everyday struggles of Lawrence Gilmore, a single father of five, and his nonconformist daughter Caitlin, that I could have used an added half hour or so of breathing space between scenes, some time to pause and take a break from this unrelenting, emotionally traumatic, complicated drama.
To read the rest of my review visit Global Comment.
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