I recently chatted with a Canadian director of government-funded documentaries who lamented the artistic restrictions that are par for the course for every filmmaker who accepts a significant amount of cash from any nation's coffers—no matter how seemingly liberal the country. I thought of this conversation as I watched Heather Courtney's “Where Soldiers Come From,” financed in part by the Corporation for Public Broadcasting. A four-year study of an Afghan war-bound group of friends (the mother of Cole, the goofy joker of the group, compares the boys to the characters in “The Deer Hunter”), Courtney's doc is equal parts heartfelt and public-television predictable.
To read the rest of my review visit Slant Magazine.
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