Friday, July 27, 2007

Kinky Camp Night

Lisa of CineKink really outdid herself with the kinky campy shorts last night. I fell asleep laughing my ass off!

This music video is a MUST-SEE:

http://www.youtube.com/watch?v=mooywzkwL38

(That is, if you’re into cheesy 80s, well...if Toni Basil had sung about spanking instead of "Mickey" this would be it!)

Also loved the film of four deadpan actors sitting around a table doing a David Mamet-like reading of a porn script. Oh, and Santa Claus Pez dispensers screwing is one hard kink to top!

Stay tuned for more Monkey Town midnight movie madness in August.

Thursday, July 19, 2007

More Myra!

Calling all wet dreamers...

I've been asked to curate some perverted midnight madness on Thursday July 26th, so please join my co-host Lisa Vandever and me for a night of celluloid debauchery at the fabulous Monkey Town in Williamsburg, Brooklyn.

http://www.monkeytownhq.com/contactinfo.html

Lisa will be warming us up with shorts from her famous Cinekink Film Festival

http://cinekink.com/blog/2007/07/take-me-to-monkey-town.html

Followed by a screening of the greatest underrated camp classic of all time, yes - Gore Vidal's "Myra Breckinridge"!!

Mark your calendars. Raquel Welch wielding a strap-on. Need I say more?

Sunday, July 15, 2007

Oh, Myra!

If “Myra Breckinridge” the film had been a Broadway musical first, I’ve no doubt it would have gone down in midnight movie history right alongside “The Rocky Horror Picture Show.” Raquel Welch’s Miss Myra is the precursor to Tim Curry’s Frankenfurter, with both actors playing gender and sexually ambiguous characters seducing na├»ve young lovers with equal panache. “Myra Breckinridge” works on so many levels it’s hard to keep track, from the film critic Rex Reed playing film critic Myron Breckinridge to “Miss” Mae West – the ultimate gay man in a woman’s body, perhaps the first transgender superstar – as a stud collecting Hollywood agent, of course. That Rex and Raquel, playing opposite sides of the same protagonist, flow easily, interchangeably, from one setup to the next, sometimes even playing the same scene together is a lovely symbolic nod to the desire to become one, be it with another person or with oneself. The classic movie clips commenting on the action like a Tinseltown, Greek chorus and the classic Miss West belting out numbers like “You Gotta Taste All The Fruit” are pure winking delight. The many critics who panned “Myra Breckinridge” decades ago when it was first released were as clueless as John Huston’s Buck Loner, for the film is nothing less than a brilliantly, thoughtfully, stupendously conceived work of art.